Pet Portraits



Molly   oil on linen panel 12" x 9"

Although I have painted all sorts of animals in my artistic career, I have never really considered myself to be a dog or cat portrait artist. All the recipients of my animal portraits tell me that I do an uncanny job of capturing the essence of their pets.  Whether the pet is living or not the owners say that the paintings make them cry, which I take as a positive sign! You can see a couple recent commissions here.

Let it be known that I love domestic cats almost as much as I do the wild ones and that I've painted both.

So, in this post, I am publicly hanging out my shingle. If you would like to commission a portrait please contact me at alice@artbysaltiel.com for details. I will consider all requests but if for any reason I don't feel I can do your pet justice I reserve the right to decline. 

Grapes and Flowers

Other than the landscape, rich as it is, what comes to mind when I think of France are grapes and flowers And these are what remain for me to show you of the French inspired paintings ...

GRAPES ABOVE A DOORWAY AT GOULT   2004 oil 22" x 14"
Collection of the artist   

JEWELS OF PROVENCE   2004 oil 18" x24"   Collection of Denise and Larry Scammell

RAINBOW GRAPES   2003 oil 10" x 8"   Collector unknown

MARKET SUNFLOWERS   2005 oil 9" x 12"   Collector unknown

SUNFLOWERS AND LILY BUDS   2004 oil 18" x 24"   Collector Ken Hayes

MONET'S IRISES   2003 oil 12" x 16"   Collector unknown 

LONE LILY, MONET'S LILY POND 8   2005 oil 18" x 24"  Collector unknown 

In a heartbeat I'd return to France again and again, but the world is huge and much more awaits elsewhere! The revisiting of these paintings and the trips only serve to indelibly etch the memories. Sincere thanks for the interest you have shown in this body of work.

Yet More French Paintings

I've just about shown you all I've got ... this is second to last post about The French Paintings and it's a mixed bag.

The classic street scene in the painting below was deserted the day we chose to visit Chateuneuf-du-Pape.  Perhaps it was too late in the day? Probably it was a Sunday. It's a considerably livelier setting in the photo on this webpage: http://www.provenceweb.fr/e/vaucluse/chateau-pape/chateauneufpape.htm  And yes that's me walking down the street!

DO-WAH-DIDDY, Chateauneuf-du-Pape   2005 oil 18" x 12" Collector unknown  

A painting I mourn parting with is Chateau la Nerthe. It's a setting outside a nearby winery nearby ... and it was closed as well!

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Overwhelmed by the grandeur and decadence at Versailles I chose to paint this close up of a balcony seen at a place I didn't know existed on the property; Marie-Antoinette's Estate. I have another name for it ...

MARIE-ANTOINETTE'S PLAY FARM   2005 oil 14" x 22"  Collection of Linda and Ron Weiner

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And in the town that Vincent Van Gogh spent his last couple of months ...

AUVERS ARCHWAY   2005 oil 18" x24"   Collector unknown 

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One last rural painting ...

CHAPELLE ST. SIXTE (near Eygalieres)   2003 plein air oil 12" x 16"   $1100.

Painting the above, October, 2003

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Touted as one of the prettiest villages (and indeed it is) Lourmarin is also where the author of A Year in Provence, Peter Mayle lives.  Behind the renaissance castle there I found what I really wanted to paint; Mystery Stairway. But there was also this cascading pot of flowers by a small crumbing stair case ...

BRIGHT CORNER OF LOURMARIN   2004 oil 12" x 16"   Collection of Lou Ann Bolin

Our friend, Marie Claire (who lives in Paris and has a condo in Canmore) followed closely the creation of my French paintings. She suggested I invite Peter Mayle (author of A year in Provence) to one of my solo shows and said that she'd look after getting his address. His is not an address that is not easily obtained, but you need to know that Marie Claire doesn't well take well to getting no for an answer. She relentlessly worked on the staff of Lourmarin town hall until she wore somebody down. I then mailed him a note with an invitation and this was his gratefully received response ...

French Countryside

A pretty fine place to be ... in one vineyard, painting another!  October, 2003

MAS AND PETITE LUBERON    2003 plein air oil 12" x 16"  Collection of  Mary Shillabeer and Tom Matier

Painting Under Les Baux  

It was here that I realized Bill was right about how I needed to be babysat along rural, country roads. While painting I'm completely oblivious to anything but what is right in front of me. Our car looked vacant because Bill was lying down, on the back seat, reading. But the ever watchful eye of my husband spied a car pull up and the man who got out circle a clump of nearby trees before making his move toward me.  That's when Bill got out of the car to step between me and the stranger. Without any of us speaking a word and as nonchalantly as you please the fellow neatly veered away, got back into his car and drove off.

UNDER LES BAUX  1    2003 plein air oil 12" x 16"  Collector unknown 

Les Baux is where the image in my painting Door at Sundown is from.  Despite being wildly touristy it truly is a magical place. I invite you to check it out at http://www.lesbauxdeprovence.com/ 

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And to the east at Rousillion see the bottom of this linked page to find a photo of the square I painted in Portes de Rousillion of doors set in red and yellow walls. The buildings of this entire town are coloured as the cliffs they are built on. Fascinating. Imagine living bathed in such warmth ...

OCRES DE ROUSILLION   2005 oil 10" x 8"   Collector unknown  

Inside the Asylum

On my Van Gogh pilgrimage, in October 2002, at the asylum, in Arles, where he was admitted after cutting off his ear lobe

Van Gogh's "The Courtyard of the Hospital"  1889 oil on canvas 28.75" 36.25"  Collection of Oskar Reinhart, Winterthur

Considering that he had severed an artery in the ear lobe incident (December 1888) Van Gogh made an amazing recovery and went back to live in "The Yellow House" in Arles but only for a short time.  In April 1889 he voluntarily admitted himself to the asylum at nearby Saint Remy. Missing artistic companionship and the northern landscape, in May 1990, he left Saint-Paul-de-Mausole for the town of Auvers-sur-Oise.  Two months later he shot himself.

  

THE CLOISTER 1   2003 plein air oil 12" x 16"   Collector unknown 

I have already mentioned that the Saint Remy asylum is still a functioning hospital and the pubic is only permitted in the church/cloister area and a room that is recreated to look like the one Vincent occupied.  Naturally admission is charged, and there is a gift shop, but they allowed me to paint free of charge.  Here, unlike the country roadside, I was safe and Bill didn't have to "babysit" me.  He was free to explore elsewhere while I painted there.  On those two days only a few tourists came and when they did their voices were hushed.  For me it was a very reverent and solemn time when I felt completely connected to the place, Vincent's soul, and my work.

Painting in the cloister of  Saint-Paul-de-Mausole, October 3003

During our stay in Saint Remy, in the middle of the deep, dark night, I had a dream so vivid that it caused me to abruptly awake and sit bolt upright in bed my heart pounding.  In the dream I was seated around a boardroom table with official staff of Saint-Paul-de-Mausole.  They announced that they had approved of me painting with Van Gogh but that he himself would have to agree to it.  I said "Doesn't it matter that he is dead?" and they replied "No".

THE CLOISTER 2   2003 plein air oil 12" x 16"   Collection of the artist

The Asylum at Saint-Rémy

Saint-Paul de Mausole http://www.beyond.fr/sites/stpaulmausole.html is a functioning mental hospital today as it was when Van Gogh admitted himself there in 1889.  The month after Vincent's arrival at Saint Paul he painted his iconic Starry Night. 

On our France reconnoiter trip in 2002 it was determined that I needed to paint there.  What contributes to the atmosphere of this place is that it is built on the Roman Ruins of Glanum and beneath them are Greek ruins.  The earth fairly vibrates with centuries of spirits.

THE OLIVE GROVE AT SAINT PAUL'S   2004 oil 24" x 36"   Collection of Ken Hayes

We booked a little apartment on the outskirts of Saint-Rémy for the month of October 2003, and the day we checked in we drove back to Saint Paul.  It was early evening, the visitor and cloister portion of the hospital was closed for the day, there was one car in the parking lot and not a soul in sight.  Walking around, outside the south wall, I stopped short and exclaimed "Somebody is painting!"  "Where" asked Bill?  I replied that I couldn't see anyone (and there was no one in view) but I could smell paints as strongly as I have ever smelled them, and I will never be convinced that I did not.

In the previous post I showed you the painting I am working on here:

Painting the Alpilles at Saint Paul, October 2003

Van Gogh's painting Field with Pollard Trees and Mountainous Background, 1889 oil 28.75" x 36"
Kroller-Muller Museum, Otterlo, the Netherlands   

THE RUINS OF GLANUM (and the south wall of Saint Paul's)    2003 plein air oil 12" x 16"   available framed $1100.

Working on The Ruins of Glanum

I know the collector of the painting below will surely recognize the stand of trees behind me.

ON VAN GOGH'S TRAIL   2004 oil 8" x 10"   Collection of Win Dinn

The Landscape of Southern France

Looking at my paintings of the south of France Bill commented that they have a different light.  Indeed the landscape there does have a very soft light as compared to say the brilliant clarity of the Rockies.  Of course I did somewhat exaggerate the yellowness of it all!

THE CANAL DU MIDI (near Carcassonne)   2003 oil 12" x 18"   Collector unknown

MINERVOIS VINEYARDS  (near Puicheric)   2003 oil 12" x 18"   Collector unknown 

VINEYARD NEAR CALLAS   2003 oil 12" x 18"   Collector unknown

FARMHOUSE NEAR GORDES   2004 oil 12" x 18"   Collector unknown

UNDER LES BAUX 2   2004 oil 12" x 24"   Collector unknown

L'ALPILLES at the SAINT PAUL ASYLUM (St. Remy)   2005 oil 24" x 36"   Collector unknown