Showing posts with label Landscape Painting. Show all posts
Showing posts with label Landscape Painting. Show all posts

Monday, May 12, 2014

New Work

Night Owls   unframed acrylic/mixed media on canvas 1.25” deep 12” x 12”
$395. available at Sunny Raven Gallery, Canmore

Last summer, on a visit to Win Dinn in Creston, I took the above canvas no further than misting on the intense gradation of blues to purples, using her Dylusions spray inks. In March, while Meg was visiting, I borrowed her stencil for the texture to which I added some of her iridescent, turquoise foil. Meg further shared her super sparkle lustre pigment, a pearly, fine powder which I sprinkled on the centre area (made wet with clear water). This created the milky way like effect. The swath of turquoise is a torn piece of hand painted paper with nondescript script commercially stamped on it. I coloured only the glowing eyes of the small owl, which was also created using a commercial stamp. He was originally on a stack of books, but I opted to cover them over with more painted paper to create the stump. The feature great horned owl is painted in oils. The ghost feathers were stamped on a semi transparent paper (with flecks of silver) before being adhered plus there is the one real feather embellishment.
  

March 10th, Meg shared her supplies, knowledge of mixed media and innovative ideas with Judy, her granddaughter Jackie, and me.
Here the background for Night Owls is upside down

In all the years I've painted (50 by now) I've never painted an owl, nor a butterfly.  I was in the mood for both ...
  

On The Move   unframed butterfly in oil on acrylic background on a cradled wooden panel, 1” deep  4” x 4”
$100. 
available at Sunny Raven Gallery, Canmore                  

In contrast I have painted dozens of irises. To me, even the most common varieties are exquisite, the exotic ones resplendent.


Latin Lovely   framed oil on MDF board 5” x 7”    $150. available at Sunny Raven Gallery, Canmore

For Heart of Gold I employed my favourite scroll stencil and molding paste to create the relief in the the upper right as well as the magical combination of sap green and Daniel Smith's Duochrome Oceanic luminescent acrylic for the background.


Heart of Gold   framed iris in oil on acrylic background on canvas 10” x 8”
$295. 
available at Sunny Raven Gallery, Canmore        

One of my painting students is an accredited equine photographer who knows how to capture magnificent images of considerably more than only horses. The painting below was inspired by one of Judy's somewhat enhanced photographs of an early spring melt in her yard ...


Electric Meltdown   framed oil painting on MDF board 12” x 16”   $1000. available at Sunny Raven Gallery, Canmore

Along with me, Judy and Irene took on the same image. Everyone was spent after four afternoons at work on it. I signed mine and the ladies took theirs home to complete. I sure hope that they've done their homework and have finished their paintings!


With Judy and Irene the day we began our Electric Meltdown paintings, March 31st

With Judy and Irene Day, working on our Electric Meltdown paintings on day three, April 9th

And because Judy's painting is hidden from view (by me) in both of the studio photos ...


 Judy blocking in her painting on day one 

The ladies were brave souls. They both did a remarkable job of a very complex image with all those wretched branches, and their reflections! My wish for them is that they have learned new and exciting ways to mix colours. I may even have infected them with the desire to own some of the exotic tubes of oil colours that I keep in my paintbox! 

Monday, August 22, 2011

The Wedding Gift

Working on Quarry Lake ... oil 18" x24"

The wedding is on Saturday and so I thought I'd best finish the gift.  Although it has been somewhat cloudy today it was so warm that I resumed work on it on our back deck.  May this be the weather that the marriage itself will enjoy, at the site portrayed. 

In this photo the mountain is fully finished and I'm working on the treed slopes.  The lake and the tree were completed indoors because I had to retreat to the cool Anne Frank Room when the thermometer hit 30C!  I'll show you the finished painting once it has been gifted.

Friday, July 8, 2011

Plein Air at Racehorse Creek



In this week of magnificent summer weather our usual mid week R-Podding opportunity was sandwiched by fun times with departing and arriving guests.  To try and squeeze in some camping would have been ridiculous.  So instead, on Wednesday, we took a day trip through The Gap where The Old Man River cuts through the eastern range of the Rockies and went to play in the Alberta Forestry Reserve.  Here we had a picnic lunch followed by idyllic hours of soothing pleasure along one of the three creeks in the immediate vicinity.  When we found this spot, last year, I fell in love with it and have longed to go back ever since.
 

While I painted, he fished; what a richly beautiful place it is and such glorious ways to spend an afternoon.
 
It's been over a year since I worked en plein air.  Here is the fruit of my labour ... bugs, caught in the wet paint, and all.  I've learned (the hard way) how to best get rid of these critters.  Wait until until the paint is dry; they brush off with ease then!

Racehorse Creek   oil   9" x 12"   

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